On an impressively hot day in the middle of Adelaide’s latest heat wave, Peter Goers took to the stage to tell the audience a series of inter-linking stories that prove amusing, moving, and always engaging.
Goers is a master storyteller with an almost unrivalled ability when it comes to stories that feel intrinsically Adelaide-focused. There’s no show at the Adelaide Fringe this year that is more fulfilling of the ‘Adelaide’ part of the name.
The show feels fundamentally like sitting down to hear the yarns of a friend over a coffee or a beer. There’s something very engaging, and very personal about the way Goers goes about his show that feels essentially inviting. It feels more like an hour of sharing than a performance as Goers tells stories of first- and second-hand experiences.
It’s a simple format, built of a number of stories Goers moves effortlessly between and it benefits from that. It doesn’t need anything additional. This is an audience with Peter Goers and if you know anything about Goers’s radio show and other appearances, an additions would an unwelcome distraction.
Anyone who can hold an audience’s interest across one hour in the punishing Adelaide heat is clearly a master of their craft. We’re treated to stories about books, about a swimming pool in Turkey, and he takes time to add a discussion of war and those who have to endure it.
The show skews towards the older generations, as Goers makes mention of, but it never does so in a way that would alienate younger audiences. People of all ages should appreciate this.
At the performance’s conclusion, Goers greeted everyone as they left. It goes further to make clear how much a consummate professional he is. It also reinforces the feeling that we have been treated to an intimate hour of story-telling by a welcome friend. Look Ma, No Hans is a rewarding, generous offering from a very Adelaidean performer.
Words by Liam McNally
4.5 stars.
Peter Goers in ‘Look Ma, No Hans’ is playing at the Holden Street Theatres every Saturday and Sunday until the end of the Adelaide Fringe. Tickets available here.
Don’t encourage Peter Goers. He is almost singlehandedly responsible for the destruction of Adelaide theatre since atleast the seventies. The idea that he is some kind of SA version of Oscar Wilde and Noel Coward is absolutely ludicrous.
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