Review: The Cry (2018)

The Cry, a psychological thriller TV series originally broadcast in the UK last year, hit our television screens in early-February. It is also available on ABC iView.

It tells the story of Joanna (Jenna Coleman) and Alistair (Ewen Leslie), young parents whose baby son disappears while they travelled from Scotland to Melbourne to reunite with Alistair’s fourteen-year-old daughter. Subsequently, Joanna and Alistair are subject to both police and media scrutiny, putting pressure on their relationship.

Prior to the disappearance, Joanna is overwhelmed by motherhood, suffering from post-natal depression. She is the primary carer of their son. As Alistair fails to give her proper support, she spirals into a deep chasm of grief following the child’s disappearance. Alistair manages to better control his grief.

Throughout the show, we learn that Alistair is manipulative and controlling, driving his and Joanna’s relationship from the very beginning. After the disappearance, he instructs Joanna on what to say and do during press conferences and interviews. He controls their public image.

Coleman gives a perfect performance as Joanna. I can’t fault her at all. She plays the part of a mother extremely well. In essence, her performance is real and genuine, despite her not having any children.

Leslie also gives a convincing performance as Alistair. As with Coleman, his performance came across as genuine and real. I wouldn’t be surprised if he and Coleman win an award or two for their performances.

The Cry is captivating, emotional, and full of twists and turns. I found it incredibly addictive. It’s the perfect example of what a psychological thriller should be.

I’d recommend this show to people who enjoy psychological thrillers.


Words by Callum J Jones.

Advertisement

To Rhyme or Not to Rhyme

To Rhyme or Not to Rhyme

Kristin Martin

Illustrations by Joanne Knott

Glimmer Press 2019


 

To Rhyme or Not to Rhyme is a children’s poetry collection, the first published with new publishing company, Glimmer Press. Written by Kristin Martin, the collection is divided into rhyming and and non-rhyming poems. The poems are open, visual, and easy to follow for young readers. Accompanied by Joanne Knott’s delicate illustrations, To Rhyme or Not to Rhyme easily captures the imagination.

Taking on a naturalistic bent, the poetry is told through the eyes of a child as they experience the world around them. From frogs and lizards to backyard cricket against a backdrop of the setting sun, everything is fascinating to the child narrator. Martin’s writing oozes with imagery as it reflects the world in which she lives, celebrating the beaches, the family holidays, and the wild-life in her own backyard.

While some of the poems are little sparks of light, fun rhymes, and experiences we’ve all had growing up, others are more educational. In some, Martin examines cloud formations and the rain cycle. In others, she takes young readers though explorations about different types of animals, drought, and how simply shifting your perspective can take you to an art-gallery in the sky.

Knott’s illustrations are realistic, intricate, and instantly recognisable. They are a beautiful and well-chosen accompaniment for Martin’s poetry without distracting from the imagery that comes from the words themselves.

For older readers, the book is a reminder of what it is to be young and captivated by all of the things we now take for granted. Martin’s poetry is a reminder of the time when we saw the trees and the sky and clouds as something magical. Through her words, we remember how captivating Australian wild-life is. To Rhyme or Not to Rhyme puts us back in touch with our inner child and reminds us to pause and appreciate the world around us.

A teacher herself, Martin’s poems are a perfect way to introduce children to the beauty and versatility of poetry and the written word. As the book progresses, different kinds of poetry are showcased, beginning with, as previously mentioned, rhyming and non-rhyming poetry, and advancing to non-rhyming poetry which plays with format and shape.

Easy to read aloud and boasting the type of mesmerising imagery that helped me fall in love with reading myself, I can’t wait to show my nieces and nephews.


Words by Kayla Gaskell

To Rhyme or Not to Rhyme is available to purchase through Glimmer Press.