Restarting Your Creativity: Part III

PART THREE: FINDING MOTIVATION

Some advice I was given (and tried my best to follow) is to write something, anything every single day. Writing is like sport, and like any sport you need to practice to get good. Sometimes this might be a few thousand words, sometimes a paragraph or a sentence or even a single word. Everyone works in different ways but the surest and strongest way to get started is to do just that. Start. And everything starts somewhere.

These are some ways in which you can find your motivation today!

1.) Clean your workspace

It sounds counter-productive and sometimes it is. If your workspace isn’t how you want it, it might put you off for days, weeks, or even months. Clean it. Tidy it. Make sure it’s not a distraction.

2.) Set yourself a challenge

As with finding time, challenges can be very handy to motivate you. If you need to get 3,000 words done by Friday and you have a friend holding you to it, you’re not going to want to disappoint that friend. Generally you have an understanding of your own working ability so it is up to you to set yourself a goal or challenge that you will realistically meet. If you are a slow writer you might aim for 500 words or a page a day, or if you’re a quick writer a few thousand words might not be too ambitious. But a challenge that works for you won’t necessarily work for everyone.

 

3.) Enter a competition

Competitions give you deadlines not just for a word count but for a polished copy of whatever it is you’re writing. Working towards this deadline, in theory, means working towards a deadline of at least one week ahead and then taking the time to edit thoroughly before submission. Even if you don’t end up entering your work you put the time and effort into creating it.

4.) Ask a friend or family member to read your work

This would also appear on a lot of lists of what not to do. But in the end you want to be motivated right? You want to hear about how much talent you have and how wonderful you are. So get someone who loves you to read your work and bask in their praise. Hopefully, if you push on, people who don’t know you will also want to praise you.

5.) Tell someone about your writing

In telling someone about your project you’re making it real. They might remember and ask you how the writing is coming along. Plus, if you’re talking about it you’re thinking about it, and if you’re thinking about it you’re working on it. Don’t worry if it comes to nothing or if you switch from one project to another, just keep voicing those ideas.

6.) Read good books

Writers are always encouraged to be constantly reading. The advantage of this is you’re surrounding yourself with good writing, which encourages you to also produce good writing. As I mentioned in Rediscovering your Inspiration, reading something that provokes you (in a good or bad way) is also helpful. It encourages you to do better and to respond to the work. The caution here of course is to let yourself read bad books, but not bad writing. Bad books make you want to do better (and destroy your faith in humanity), but bad writing is just… bad.

7.) Read literary magazines

Find out what’s going on in the writing world and stay in touch with it. Know it’s where you belong and stay there. You might write highly experimental literary fiction and find places like The Lifted Brow and (increasingly) Voiceworks a great comfort. Or you might prefer Meanjin, Kill Your Darlings, or Overland, there are plenty of literary magazines out there. You might even just want to stay up to date with Tulpa Magazine (we have a newsletter, you should sign up!). Whatever you decide to do, keep literary magazines in mind—we certainly have plenty to offer. Tulpa is currently free to read, and other places (if you don’t want to pay subscription fees) are generally available in your library.

8.) Stop reading

Yes I am contradicting my earlier point. If you’re like me (constantly reading) you might find that this motivates you to write. You’re so used to being in a story that you need to write just to get back into the zone. You’ll be desperate to finish your project just so that you can escape back into a good book.

9.) Have a plan

Some writers are pantsers and some are planners. Know which one you are and how much planning you need to have done in order to succeed. If you’re a pantser hold on tight to your idea, sit down, and start writing. If you’re a planner, like me, you might want to have a highly detailed plan and over-write the hell out of your piece. As long as it works for you it works!

10.) Have a write-in

You might work best on your own but there is seriously nothing like writing with others. Hearing other keyboards going, pens scraping paper, having the occasional chat and talking about your work is always a wonderful experience. I’ve personally found this can also work well with visual artists because you’re all doing something creative and losing yourself in your work in the same way. Writers SA run a write-in called TWELVE each quarter where you spend twelve hours working on a creative project. Alternately Simone Corletto and Mhairi Tocher run a regular virtual write-in called the YA Jungle which you are welcome to follow along with. To find out more check out their website.

One of the biggest things I would like for you to take from my Restarting Your Creativity series is that you are more than capable of writing. You can finish your project. You can find the time, inspiration, and motivation to fulfill your goals. There are so many things you can do to get yourself ready to write but the easiest and most effective thing to do is to just sit down and write. Make the time, get inspired, and get motivated.


Art by Rhianna Carr

Words by Kayla Gaskell

Kayla Gaskell is an Adelaide based writer and reviewer whose work has appeared in Empire Times, Readplus, Buzzcuts, Where’s Pluto, and now Tulpa.

 

OTHER PARTS IN THIS SERIES:

Part I: Finding the Time to Write

Part II: Rediscovering your Inspiration

 

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The Hearth: Masquerade

The Hearth is quickly becoming a fixture of the South Australian spoken word scene. Here at Tulpa we’re no strangers to The Hearth, or the incredibly supportive platform they provide for Adelaide’s writing community. The Hearth’s approach to creative readings is unique, with equal focus placed on work and the creative process.

Tuesday’s ‘Masquerade’ theme did not disappoint, with readers approaching the subject from entirely different angles that both delighted and fascinated the audience. First up was Amy T. Matthews, a Senior Lecturer at Flinders University and award winning novelist. Amy shared an extract from one of her romance novels, admitted her embarrassment at some of the tropes it covered and shared her experiences dealing with publishers in Australia and abroad.

The second reader of the night was CJ McLean who treated us not only to a discussion of queer identity and persona in literary history but also donned a wig and performed a cheeky musical number. Needless to say, the audience had a great time clapping along.

Next up was Tulpa’s own Taeghan Buggy, a writer, poet and creative writing Honours student. Taeghan’s poetry gave a modern touch to a few mythological deviants. Who doesn’t like to hear about Puck as a high school delinquent or about Loki’s modern expressions of queerness?

After a brief bar break we were treated to an essay on Billy Joel and the changing definitions of ‘cool’, courtesy of Quart Short collective co-facilitator, playwright and essayist Ben Brooker. Ben’s creative process included printing his piece off at OfficeWorks right before the show.

The final reader of the night was social media poet Katie Keys who combined wit with photography for a performance that was equal parts poignant and hysterically funny. Katie’s dedication to her medium has made her tweet a daily poem on social media for nearly a decade.

Every Hearth night ends with something special- a chance for the audience to ask the performers questions. The Q&A is a great opportunity for the audience to learn from, and engage with, the performers, their work and their creative process.

I would recommend The Hearth to all writers of every experience level. Whether you go as a performer or a listener there is no doubt that you will get something out of these extraordinary reading nights.


Words by Lisandra Linde

For more information on The Hearth and upcoming events check out their Facebook page. You can also learn more about The Hearth collective and its performers on their website