Werewolves

“As night falls on the town of Millers Hollow, there’s trouble afoot and werewolves are stalking the innocent villagers.” – Nicholas Philips

Werewolves is an interactive party game, hosted by Nicholas Philips, in which the players must find and kill the werewolves before the village is decimated. I attended the February 19 performance given at the Ruby Room at Holden Street Theatres. The experience was nothing like I thought it would be.

The premise of Werewolves is pretty good to say the least. There are several different characters: Villagers, a Seers (who can see other people’s cards), Cupid (who can make two people lovers), a Witch (who can cure or kill someone), Hunter (can kill someone before dying) and Werewolves (who kill other players). I was given the Hunter card, which saved me halfway through the game.

Werewolves is a game where the enjoyment comes from the audience. My experience was enhanced by the great audience. The people overall were engaging and enthusiastic about it. One or two people brought some unnecessarily long-winded conversations into the game, which took me out of the experience and was irritating; however, the host handled it very professionally.

Due to low numbers, the event almost didn’t happen. Thankfully, some staff members from Holden Street Theatres joined in bringing their enthusiasm.

The Werewolves experience changes with each game, which makes it a refreshing change for the Fringe. In my game, for example, our village got decimated (thanks to yours truly) and I was the only one left alive. It was these tense moments which heightened my enjoyment. Could you trust your fellow player, or should you suspect everyone?

If you’re interested in giving something different a go, or just want a fun game with strangers or friends, then Werewolves is a must see. There is a lot of enjoyment to be found within this game and is both tense and edge-of-your-seat entertaining. I would love to play Werewolves again this Fringe to see how different it is.

 

4 / 5 stars


Words by Cameron Lowe

Werewolves is on until March 15

For more information and to buy tickets, click here

1000 Doors

1000 Doors is difficult to describe. Like all art installations, the intention of the artist is personal and ambiguous, the meaning being up to the interpretation of the viewer.

Set up in the Garden of Unearthly Delights, 1000 Doors is a dark choose-your-own adventure in which you take your time journeying through the labyrinth of doors presented. You enter at your own risk and take your time to absorb the unique experience. A half an hour is the recommended time-frame, but you can take all the time you need.

Lining up, you’ll be greeted by a guide ready explains the simple rules: don’t break anything, don’t steal anything, and if you feel uncomfortable at any time you are free to leave.

Walking inside, you are confronted with a long hallway with loud fluorescent lights down the centre. Wallpaper, beautiful but hanging ripped from walls stained with unknown liquid. Blurry black and white photographs scattered around the floor. Sounds, impossible to pinpoint, seeping through the walls, the effect is loud and all encompassing.

Initially, you might be waiting for the classic haunted house jump-scare. This experience is so much more than that. A journey through time and genre, I was completely immersed in the four walls and varying doors presented to me. Choosing your own path through the winding corridors and oddly shaped rooms, you are one with the art around you.

A feeling of unease propels you through the myriad of time and experience. At once not here, nor there. Not in the present or the past, but somewhere different entirely, surrounded by the echoes of the voices of those who came before you.

If you can find the exit, you will experience the installation peaking in a divine crescendo of sight and sound. Returning to the bright and brilliant Fringe is a sharp jolt back to reality from a world not quite our own.

Encouraged to touch the surrounds, backtrack and interact, 1000 Doors is a truly sensory experience. I would recommend that someone wishing to attend bring along a friend to share the experience, or just have someone else open the doors for you. You never know what’s behind the next door. For anyone curious to see what fears and curiosities might await in the space beyond, 1000 Doors is a place for you.

I give 4 stars for a show that leaves you thinking: how and where did someone find this many doors?

 

4/5 stars


Words by Sarah Ingham

 

1000 Doors is on every day apart from 17/2/2020.

For more information and for tickets click here.