The weekend where Anime and Video Games rule Adelaide’s CBD.
The Adelaide Anime and Video Game Convention (AVCon) has been uniting a community of pop culture fans for sixteen years. It has also become the prime convention to try out upcoming local games and sample the latest anime series. There was a little bit of everything for everyone there, from gaming and anime, to indie art and cosplay.
Gamers were spoiled for choice throughout the event. Nintendo were back again, giving the wider public a chance to try out their latest and greatest first-party games for the Nintendo Switch. StreetGeek returned, offering an old-fashioned LAN (Local Area Network) experience with games like CounterStrike: Global Offensive and StarCraft. Retrospekt offered a free chance to experience classic consoles like the Commodore 64 and Super Nintendo, as well as gaming magazines from the late 1990s-early 2000s. Numerous speed-runners and tournaments also took place for some extra fun. Games that could be played in tournaments included old favourites like Super Smash Bros. and League of Legends. Tabletop gamers were covered too, with a number of roleplaying and board games on offer to play, like Call of Cthulhu and Settlers of Catan.
Anime lovers were spoilt for choice as well. Madman’s stall was full of manga, anime and J-Pop artists. Some interesting things on sale at this stall were artbooks from the Studio Ghibli films. Animeworks sold a variety of Japanese anime figurines and toys. If shopping isn’t your thing, there are always plenty of screenings by Madman and Hannabee. Special guests this year included Paul St. Peter, the voice actor for Punch in Cowboy BeBop: The Movie and Kurama in Naruto, and a livestreaming event with Spike Spencer (Shinji Ikari in Neon Genesis Evangelion).
Indie artists has become one of the fastest growing areas of AVCon. Artist’s Alley is the place to go for fan made art to pick up something unique. One standout stall was The Bee’s Knees, where one could purchase a Splatoon heat-pack or select stickers and badges*. Conventions like AVCon are one of the few places where you can check out these artists with their work on display. The Indie Games Room (IGR) was the other main indie zone at the event. It is where Australian game developer’s community came to show off their latest projects. Games like Melonhead Games’ Rooftop Renegade and Drunk Galah’s Manatech were available to try out and offer feedback to the developers.
The AVCon experience would not be complete without the almost endless number of cosplayers. All over the event, people came dressed as their favourite anime or video game characters. A personal favourite was a cosplayer dressed as Malon from The Legend of Zelda: Ocarina of Time. The places to check out the best of the best were in the Cosplay Competition and parades which occurred throughout the event. Anyone interested in Lolita also had a chance to learn more about the fashion or participate in a Lolita parade.
AVCon is one of the prime pop culture conventions in Adelaide. With many great games to try out and pop culture goods to pick up, AVCon proved once again to be a success. If you haven’t been but love games and anime, definitely check it out when it returns next year. It is one of the many friendly places where you can check out pop culture in Adelaide.
Words by Cameron Lowe
* Connect with The Bees Knees through facebook, instagram, or etsy.
The Adelaide Comic and Toy Fair is one of the major events for pop culture memorabilia, toys and comics in Adelaide. Now in its sixth year, the event opened at the Marden Sports Complex (MARS) in Marden on April 14. After enjoying my first visit in 2018, I decided to once again go along again and like last year, this didn’t disappoint.
The first thing that caught my attention as soon as I entered the MARS Complex was the sheer size of this event. It was far bigger than the one I attended in 2018, which was held in the German Club on Flinders Street. It took up almost the entirety of the complex and had numerous stalls all filled with toys, comics and pop culture goodness. Visitors could buy Star Wars figurines, VCRs of classic movies like Alien and the latest comics from Greenlight Comics.
Like many of these events, there are always at least two standout items on sale. This year there was a sealed box of a Sega 32X, an add-on for the Sega Mega Drive. Sold by King Kaiju Collections, one would be paying of upwards of $1,000 to own this strange but unique history of Sega. The other item was a tea pot shaped as the genie from Aladdin (1992) one would pay about $49.95 for.
Representing local creators at this year’s event included Dark Oz, Matt J. Pike and Dr. Mike 2000. Alongside his usual items of horror and sci-fi comics, Dark Oz owner Darren Koziol was selling Laserdiscs. One standout of this collection was a copy of Titanic. Pike was selling his books which include the Apocalypse series, which is a post-apocalyptic series set in Adelaide. Dr. Mike 2000 sold his Universe Gun comic series, a collection of twelve volumes which is basically Yellow Submarine meets sci-fi.
A number of different pop culture clubs and societies were present at the event too. One of these included Starship Mawson, a local sci-fi and fantasy society. In attendance of this stall included the society’s founder, pop culture historian and avid Tintin fan Stuart A. Blair. Fresh of the heels of the Franco-Belgian Comics exhibition at Supanova, Blair once again had a small display of Tintin memorabilia for attendees to enjoy.
If there are any criticisms for the Comic and Toy Fair this year it would be the venue itself. While the MARS Complex was massive, there was little to no air conditioning or fans available on the day. It was a warm day and inside was stuffy and hot, distracting from the enjoyment. The complex too is in an inconvenient location for those who don’t drive, which would have held some people back from attending.
The 2019 Adelaide and Comic Toy Fair is by far bigger and better than last year’s event. It’s still one of the prime events for pop culture, comic and collectible lovers around Adelaide. Entry this year was $4, more than last year, but still worth it considering the treasures waiting to be discovered.
The cast of Giant Nerd Australia’s improv comedy Galactic Trek, returned to Fringe this year at the Rob Roy Hotel, this time with their show The Search for Zork. This show had the crew of the USS ImproCity visit a planet full of the undead, which they must try to stop from spreading across the galaxy. For an hour, they presented a story that was both fun and evoked a feeling of Star Trek: The Original Series.
A highlight of Galactic Trek is how it pays homage to low budget sci-fi films and TV shows. This was clear in their descriptions and sound effects. The doors would almost never open on time, the transporter sound would take some time to appear and the bridge is described as being held together by tape. For Star Trek fans, there were references galore, the Kirk vs. Spock battle music being a notable one. Being a fan of sci-fi myself, I found all these little references well done. Even with few props, the actors were able to convey everything effectively.
Another highlight was the characters. Captain Bill Jamieson, one of the main characters, had a very Captain Kirk essence to him, in both appearance and acting. The character of Zork had a very ’80s sci-fi appearance, particularly with his green head and horns. The standout character though was a red shirt called Jones Jonesy. Jonesy is how I imagine Blackadder’s Baldric would be if he were in outer space.
The show wasn’t without its shortcomings. While it did have a lot of funny moments, a lot of these were based on sci-fi references. This did not affect me as I already knew the jokes, but not everyone would understand them. For a show about searching for Zork, there was little actual searching for him. The actual search for Zork was minor to the plot, which made me wonder why they would call it the search for Zork. It should also be noted that Zork’s actor’s pants ripped during the performance, which was by no means the actor’s fault but did detract from the experience slightly.
Galactic Trek: The Search for Zork is a whole lot of improv sci-fi fun. It had many great references and a very Original Series plot. While there were a few shortcomings, it was still a fun time. Fans of sci-fi would really enjoy this show and its unique spin on Star Trek.
Words by Cameron Lowe
You can catch Galactic Trek: The Search for Zork at Rob Roy Hotel until the 10th of March. For ticketing and more click here.
I stand in the Tokyo Metropolitan Art Museum, my pupils dilating as I catch sight of Edvard Munch’s The Scream. I have seen this painting so many times through pop culture, but nothing has prepared me for seeing it in real life. It’s really here, right in front of me. Well, at least one version of it (1910 tempera and oil version). I become lost in its world, feeling the terrors the person in the painting is feeling.
The Scream was one of the many paintings exhibited at the Munch: A Retrospective exhibition at the Tokyo Metropolitan Art Museum. The exhibition celebrates the life of Norwegian artist Edvard Munch (1863-1944). Being in Tokyo at the time of this exhibition, I made sure I explored the show. Little did I know I would find myself lost in the world of his art while there. I found myself on a journey through loneliness, love, fear and trauma.
With language barriers, I was left to interpret Munch’s works in my own way. As with many things I have previously experienced, my interpretations relate back to pop culture. The Kiss (1897) was one example of this. The way the couple were morphing together, it was much like the one R.J. McReady and Dr. Blair found at the Norwegian base in John Carpenter’s The Thing (1982). I later found out this painting was in fact depicting how two people unify in love.
Excluding The Scream, the paintings that made the most impact on me were Two Human Beings, The Lonely Ones (1933-35), and The Sun (1916). My interpretation of Two Human Beings, The Lonely Ones was how lost these two people were in a strange new world. I thought of them being the only two humans on an alien planet or the last two on Earth. The Sun stood like a shining beacon at the dawn of a new world, one unfamiliar to the one we live in. These two paintings combined together drew me into a world where the everyday as we know it is gone. I began connecting them to Arthur C. Clarke’s Childhood’s End, a book I’d recently read. I imagined these two people staring out over a world with a bright beacon rising over the horizon and children dancing through the forests that cover the ruins of once great cities.
This exhibition had me one more surprise for me, in the form of Pokémon. Made specifically for this event, there were folders, postcards and even TCG cards where The Scream was redone using Pokémon as souvenirs from the exhibition. These stood out to me as much as the visuals of the paintings themselves. Unlike most of Munch’s artworks, these were familiar to me. The way they were made though, not only was adorable but uncanny. These souvenirs were unique to the Tokyo Metropolitan Art Museum.
Stepping back into the world, which was still unfamiliar to me, I smile. The exhibition was worth the 1600 yen (AUD$18) entry fee. Munch’s paintings spoke to both my creative side and allowed me to understand him better as an artist, despite the language barriers. I feel this was aided more due to experiencing it in Japanese rather than its original Norwegian. It became one of the highlights of my journey and I recommend to anyone who is going to Japan to check out a major exhibition at the Tokyo Metropolitan Art Museum.
Words by Cameron Lowe
Cameron Lowe is a horror and sci-fi writer, editor and student. He’s had fiction and articles featured in Speakeasy Zine and Empire Times. He loves to read, play video games, and drink green tea. He’s one of the 2018 editors at Empire Times. He tweets at @cloweshadowking.
Adelaide had a new addition to its line-up of events this year: a
Franco-Belgian comics exhibition. A first for Supanova, the Franco-Belgian
comics exhibition was a booth dedicated to European pop culture icons like Tintin, The Smurfs, and Asterix. This
exhibition was hosted by Stuart A. Blair, an Adelaide pop culture historian and
avid pop culture fan.
says the idea of the Franco-Belgian comics exhibition was put forward by the
organisers at Supanova. They had never had an exhibition quite like it before and
there wasn’t as much on European pop culture compared to American pop culture. This
exhibition’s presence allowed a light to be cast on the pop culture icons of
European pop culture.
of the eye-catching pieces at the exhibition included dioramas from the Adventures of Tintin series. An example
of one of these is seen below, with Tintin and Snowy travelling towards a
castle. This diorama is based off the seventh volume in the series The Black Island (1938). When asked
about the dioramas, Blair said the figurines were bought during his
international travels and at auctions. The backgrounds were designed in France
and taken from scenes within the stories. Other displays from Tintin included figurines of Captain
Haddock and Belgian copies of the original adventures.
exhibit displays in the collection outside of Tintin included graphic novels of Le Chat du Rabbin (The
Rabbi’s Cat), an original daybill poster of Asterix in Britain (1986), and a set-up of the gold mine from Lucky Luke. One of the unique pieces in
the collection though was a 1941 copy of le
Journal deSpirou. The reason why
this is so, Blair says, was because of the shortage of paper in German occupied
France and Belgium during Second World War. Alongside this as well was issue
one of Le Petit Vingtième (1937),
which featured the first story of Tintin published.
those who are interested in European pop culture and comics, Stuart says there
are many exhibitions in the near future. He is currently looking into getting
exhibitions going on at libraries and local museums around Adelaide, one
dedicated to French pop-culture and another for retro pop culture.
you are interested in finding out more information on Stuart A. Blair, check
out his website below.
Cameron Lowe is a horror and sci-fi writer, editor and student. He’s had fiction and articles featured in Speakeasy Zine and Empire Times. He loves to read, play video games, and drink green tea. He’s one of the 2018 editors at Empire Times. He tweets at @cloweshadowking.
AVCon is a three-day festival that runs during July and signals the end to both the school and uni break. In 2017 it attracted over 20,000 visitors and this year I suspect that record was broken. It is a place where avid lovers of video games, cosplay, pop-culture, and anime come together to share that passion. Run entirely by volunteers, AVCon is an example of a small community coming together in real life as opposed to the forums many visitors undoubtedly frequent to discuss the latest in games, cosplay, and anime.
Walking through AVCon, where-ever you might be, it’s not unusual to hear someone gasp over a cosplayer, artwork, or piece of merchandise they’ve been coveting all year. Adelaide has a lot of amazing talent and, for me, that is where AVCon shines. Not only do we have a strong community surrounding anime and videogames, but we have a range of talented artists with varying art styles who converge to sell their wares and display their skill.
Each year the convention begins with the opening ceremony on the Friday evening—generally characterised by weekend and gold-pass holders gathering in the foyer of the Convention Centre for up to a couple of hours before the doors open. This year was the first year I attended the opening ceremony. We were introduced to the organisers, volunteers, special guests, and the spirit of AVCon with a skit which blurred the lines of dream and reality. The special guests for 2018 included Major Sam, Spike Spencer, Vera Chimera, Neil Kaplan, Beke, and Knitemaya who were all involved in panels across the weekend. The ceremony was followed by a screening of Ready Player One in conjunction with Hybrid World Adelaide.
With Saturday morning came a rush of people flocking in to enjoy the weekend. In the gaming hall there was a mixture of free-play and indie games, as well as some of the weekend’s gaming tournaments (which were also held on the Sunday). In the Exhibitors Hall there was a selection of stalls selling official merchandise as well as stalls promoting Marion and City Libraries, HIDIVE streaming service, and CDW Studios. Beyond the hall was the chaos of Artist Alley. Downstairs you could find panels, special guests, and anime screenings from both HIDIVE and Madman.
With the evening came the ever-popular quiz night with forty-nine tables competing for the prize and privilege of first place. Unfortunately, this year the quiz wasn’t as enjoyable as it has been in previous years with challenging questions and barely anything accessible to your non-gamer. Unfortunately, the winning team disappeared before they could claim their prize and their prize was passed on. I can only hope that next year’s questions will be better and more specific to avoid confusion and that next year’s winners will remain present.
The cosplay competition on Sunday was a wonderful display of talent from local and interstate cosplayers who cosplayed a range of people from games, anime, and pop-culture. Some had spent months on their costumes and others just a few sleepless days. One thing was consistent however, the attention to detail each cosplayer had for their costume, all doing a fantastic job of portraying their chosen character and their personalities. One highlight of the competition was seeing a Xenomorph come onto stage and break out into dance.
My highlight was, predictably, Artist Alley. I’ve always loved the scattering of stalls, the friendly faces, and familiar fan-art portraying characters I knew and didn’t, as well as those I’d long since forgotten. Artist Alley isn’t just fan art; Decay Comics, indie author Matt J. Pike (whose self-published book series Apocalypse: Diary of a Survivor is set in Adelaide), and Anthony Christou (a full time visual artist) stood out from the crowd by providing their own unique work. Artist Alley had a wide variety of products on offer ranging from prints and badges all the way to socks and scarves printed with original designs.
I’ve always found that AVCon is what you make of it. It is a wonderful place to engage with the gaming, cosplay, Lolita, and anime communities here in Adelaide. It’s also a place to meet new people and form life-long friendships. It offers a sense of belonging for people of all ages and celebrates the talents of video game enthusiasts. Overall I’ve always found it a friendly environment and would recommend getting a friend or two and heading in next year if you can afford it.
Ahead of AVCon cosplayers and vendors are preparing like mad for the three days a year when avid fans of anime, video-games, and general pop-culture converge on the Adelaide Convention Centre. AVCon is fast approaching (20-22nd July) and, as per tradition, it marks the end to both Uni and school break.
If you haven’t attended the convention before, it is, quite simply, a place where people of similar interests come together to celebrate anime, video-games, and the exciting work of a number of talented cosplayers and vendors.
Some of these vendors are local artists and can be found in Artist Alley and have provided both encouragement and inspiration to a number of artists and other creatives for many years. It’s not unusual to see people clutching their own sketch books or settled in a corner drawing throughout the weekend—I know that’s been me a few times!
In order to prepare for this year’s AVCon I sat down with Ella Guildea and Avery Andruszkiewicz, both of whom have attended a number of AVCons. Guildea even met her partner, Connor Madden, at the 2011 event, and he tables with her along with Sophie Ladd.
If you’re an AVCon aficionado you might recognise Avery Andruszkiewicz’s name already. Their design was selected to be on the AVCon shirts and merchandise for 2018. When speaking to Andruszkiewicz, I asked how they felt about their design being chosen and whether they’d expected it:
“Not really, but I definitely had all my fingers crossed for it. I was rather proud of my design this year, so I was really hoping to place, but winning the whole thing was a surprise! The other entries are always so amazing, I’m glad my design was picked.”
Both Andruszkiewicz and Guildea have previously been involved with Artist Alley, Andruszkiewicz just for the 2017 event while Guildea will be tabling for the third year running with The Bees Knees (together with Ladd and Madden).
Andruszkiewicz says working in Artist Alley is: “a really great opportunity to meet and support other artists. But of course, the chance to get your work out there, and having people actually want to buy what you create is an amazing feeling.”
Guildea’s involvement with Artist Alley began when a friend asked her to table with them in around 2014. While that didn’t end up happening, in 2015 Guildea and Madden bought a badge maker, although “the final push for me to invest in a table at Artist Alley was really heavily inspired by artists Jac and Emerson from the table, Gutgeist! (http://gutgeist.tumblr.com). They travel every year from Melbourne to table at AVCon and were super helpful with guiding me on how to run my first table! I’m really grateful for the support they gave me.”
Much like the event itself, Artist Alley provides participants with a strong sense of community. Some artists get together ahead of the convention to work together cutting out stickers and pressing badges, essentially keeping one another motivated ahead of the event.
When I asked about the community of Artist Alley, Andruszkiewicz said that while they are still fairly new to it, it’s been quite welcoming. “Group orders to save money on shipping/get bulk buy discounts is not uncommon, as well as groups getting together to cut out stickers and press badges and such before a con. Working in a group can be great for motivation!”
One of Guildea’s highlights of the con experience “is the compassion and empathy vendors have for each other. On one of the days last year someone brought Krispy Kremes around to all of the tables, I’m not throwing hints or anything!”
This sense of community is evident in the level of support that artists offer to first timers. Andruszkiewicz and Guildea both offered some advice for anyone looking at getting involved in the 2019 event.
Advice from Andruszkiewicz:
“I always say just go for it, but definitely take the time to prepare. Use your resources. Don’t be afraid to ask artists for advice. A fellow artist by the name Hawberries (Twitter: @hawberries_) has put together a fantastic guide to art stalls, which was honestly my lifesaver for my first time, and I still reference it now.
Don’t table alone, it’s absolutely soul crushing. Either find a friend to split a table with (you save money on the table that way too, and that makes it easier to break even), or if you have enough stock for your own table (I’ll be blunt, you won’t for your first-time tabling), make sure you have a table buddy so you’re not there on your own.
Don’t go in with the mindset of making a profit, go because you want to and because you love what you do. Unfortunately, a lot of artists tend to come up at a loss at their first con, which can be disheartening, but even more so if you go with the exclusive intention of making money. Go, make friends, make connections, and as you gain experience, a following, and improve your art, the profits will come.
And to be harsh for a moment, prepare yourself for disappointment. There’s only a set amount of tables at any one convention, and the harsh truth of that is that artists get declined as a result. If you get declined, don’t let that overshadow your passion for art. Gather your resources again, work hard, and try again next time! Don’t let disappointment overshadow your love of the craft.”
Advice from Guildea:
“There’s a lot of Facebook groups which can be a really great influence for first timers – Aussie Con Artists is probably my favourite. However, the best way I’ve found to find the community is by networking at the conventions that you attend! Talk to your neighbours! Talk to that person who has the art style that you’ve totally fallen in love with!
Tough it out, keep it up and find what inspires you. Your first con might not be phenomenal, but if you’re passionate about vending, please keep it up!
Our first convention involved less than two weeks’ worth of prep, had 15 items in total, and featured the previously mentioned corkboard-ruler-blu-tack scenario. We now prep for significantly more than 2 weeks, stock over 125 different items, and have a nice easel to put our display board on so it doesn’t come crashing down every 20 minutes.
You’ll constantly grow and learn from your mistakes, and a lot of reflection as to how you can improve. You’re not going to become some sort of professional by the time of your first convention. Just throw yourself into it and learn!”
To contact Ella Guildea and The Bees Knees about commission work, see where they’re headed next, and keep updated about upcoming item releases, check out their Facebook page: https://www.facebook.com/thekneesofthebees
The Adelaide Mega Toy Fair is the largest annual market for toys and collectables in Australia. This year’s event was held over the first weekend of June (June 2nd-3rd) at the Stirling Angas Hall in the Adelaide Showgrounds and marks 25 years since it began. I have been wanting to visit the Mega Toy Fair for years, but due to other commitments I never had time, this year I finally had the chance to visit. What I came out with was a thrilling, worthwhile experience that, without self-control, could have easily drained my bank account.
I arrived at the Mega Toy Fair right on opening time (10am) Saturday morning to a massive line up. The picture below shows me from the end of the line, near the Kidman Entrance gates. Seeing the line-up, I knew this was going to be an interesting event. The line eventually died down, much to the relief of anyone arriving later on.
After paying the $7 entrance fee (I got concession, $8 for regular adult) I felt as though I had fallen down a hole into another dimension. The event was gigantic! Hundreds, possibly even, over a thousand stalls were before me. It was a collector’s paradise of things old and new; from pre-World War Two Hornby clockwork trains and a $35 statue of K-9 from Doctor Who to endless rows of Hot Wheels cars and a OO (1:76) scale model of The Flying Scotsman steam locomotive.
My inner nerd went into overdrive browsing all of these tables, especially when I found the video games. At one table, I found a loose cartridge of Secret of Mana selling for $75 and a boxed copy of Mystic Quest Legend (Final Fantasy Mystic Quest in the US/Japan) for $100. While I did not buy these, I thought they were reasonably priced, as compared to game stores and eBay, which could have easily been double the price. One of my other encounters was discovering a copy of Harvest Moon on the SNES, a game that is rare in Australia. However, I suspected it to be a reproduction cartridge as it appeared too new and the cartridge art seemed off.
The Mega Toy Fair was a pop culture lover’s dream come true. I found Star Wars toys from the seventies and eighties on a vast majority of tables and a boxed Robot figurine from the original Lost in Space. To me, there were three things that really caught my interest out of this pop culture goodness. One was a Laserdisc copy of Star Wars: A New Hope. I did not ask for the price, but I found it to be a very unique piece and I would have bought it if I had a Laserdisc player. Another stand out piece was a collection of Star Trek: The Original Series figurines at the Starship Mawson stand. They were imported from the US and selling for $300, a price too steep for me at this moment. Although they were expensive, I found them to be beautifully crafted and would have gone well in my pop culture collection. The third was an Edgar Allan Poe bobblehead selling for $40. It is one of the things I eventually caved and bought.
Overall, I really enjoyed the Mega Toy Fair. It was well worth the trip through to the other dimension, where pop culture and my childhood took over. I will certainly be going back to it next year. I can only hope I have more money on me and more space available to use up at home.
Some smaller pop culture conventions have been popping up around Adelaide recently and Pop Con is one of them. Hosted by the Pop Club and held at the Thebarton Community Centre on May 12th, Pop Con is in its second year, hence its name Pop Con 2.0. Being a fan of pop culture conventions, I decided to check it out. I left excited and wanting more.
Entry was $20 at the door ($15 online), a reasonable price for its overall size. It took up two halls in the Thebarton Community Centre: one for tabletop and video games, another for Comet Market (an artist alley) and a stage. Video game consoles like the Nintendo Switch and Wii U were free for use for attendees, with tournaments like Splatoon 2 and Super Smash Bros (on Wii U) playing through the day. Attendees too were free to join in on tabletop games like Dragon Reign and Dungeons and Dragons.
Despite being only four rows long, Comet Market was filled with local arts and craft. I found a wide variety of things, from anime-inspired artwork of Bilbo Baggins to steampunk mysteries books by indie author Karen J. Carlisle. Some products on sale that caught my eye were customised figurines. Priced at $100, these figurines were originally dolls that had been turned into pop culture icons like Ash Williams (The Evil Dead) and Link (The Legend of Zelda). What really made Comet Market fantastic was how affordable everything was. I paid $8 for Final Fantasy stickers made by LapiaRieDraws, a local artist.
Before leaving for Pop Con 2.0, I was unsure on whether to cosplay, but after seeing the number of people cosplaying, I regret deciding not to. There were many fantastic cosplays, from Steampunk to D.va from Overwatch. Cosplayers could also get their photo taken by official photographers and participate in a parade.
Like any good event, there was a place to purchase food and drinks. The food available was mainly Japanese snacks like Pocky and onigiri. These were served by Yummi Maid Café, a maid café on Gouger Street (part of the Pop Club on 117a Gouger Street). Onigiri were $2 each, with both meat and vegetarian options available. A beef burger was available for $7 for those who didn’t want Japanese food.
Perhaps the most stand out part of Pop Con 2.0 was its friendly atmosphere. People hosting the tabletop games were more than happy to allow new players to join in. One stall owner made it clear we could open something (e.g. a DVD) to inspect it if we wished to. Due to the smaller crowd, I could have decent conversations with the artists and ask about their artwork. Even one of the people from the maid café came up to me while exploring to deliver my onigiri. The overall atmosphere is what I imagined it would have been for AVCon in its early days.
Pop Con 2.0 may have been a small event, but its friendly atmosphere, focus on local art, and smaller crowds made it feel more personalised than much bigger conventions. Pop Con 2.0 filled me with a lot of hope; I would love to see conventions like this appear more. I look forward to the next Pop Con and where it could go in future.
Despite being a small city, Adelaide has a number of pop culture conventions, one being the Adelaide Comic and Toy Fair. Now in its fourth year, the Adelaide Comic and Toy Fair is held around the Adelaide CBD and this year’s April 28th event was held on the first level of The German Club on Flinders Street. I decided to make my first visit and I am happy to say that it did not disappoint.
I felt at home right as I entered the room, after paying the $2 entry fee. I found figurines from popular franchises like Teenage Mutant Ninja Turtles and Action Man filling the tables inside. The variety of them was diverse, from boxed Farscape figurines selling at $15 to a $500 boxed Black Series Boba Fett with Han Solo frozen in carbonite. Alongside all of these were Lego (but not actual Lego) sized figurines of super-heroes selling for $10-15 each. Whether it be for starting a toy collection, or finding your favourite childhood toy, the Comic and Toy fair had it all.
For retro game collectors, the Comic and Toy Fair did not disappoint. There were boxes full of games, mainly from retro consoles like the Sega Saturn and PlayStation 2. Many games were the usual shovelware titles, but there were some hidden gems. One gem was a copy of Resident Evil: Deadly Silence (case included) for the Nintendo DS selling for $40. Perhaps the most impressive find was a copy of Final Fantasy V (cartridge only) for the Super Famicom selling for $7. Speaking of the Super Famicom, one was on sale for $130 with its box for any willing game fan.
For bookworms, the Comic and Toy Fair had enough books to quench your thirst for reading. There was a little a bit of everything, from the classic Doctor Who Target Books series to old encyclopedias of the Star Trek universe. Comic book fans were also spoiled for choice, having a wide selection of comics from both the past and present. Both Greenlight Comics and Gamma Rays had a presence, offering the usual $2-$4 range of old single-issue superhero comics to trade paperbacks of V for Vendetta. Alongside these were comics from Adelaide indie comic writers like Darren Koziol of Dark Oz, and Dr. Mike 2000 of the Universe Gun series. Fans of the DECAY series could pick up the final issue for $12 from Koziol himself.
The final interesting part of the Comic and Toy Fair was the presence of two Adelaide pop culture clubs. These clubs were Starship Mawson and TinTin Club Australia, with the former being the prime Adelaide sci-fi fan club. Some memorabilia from Lexicon, a recent pop culture exhibition at Unley Museum, was on sale too, including a framed 1960s Spiderman comic being sold at the Starship Mawson table for $90. For anyone who might be interested in joining these club, I recommend looking them up and getting in contact.
Overall, the 2018 Adelaide Comic and Toy Fair was a worthwhile experience. It was a fun day out where you could find a hidden gem and discover more of the Adelaide pop culture scene. I recommend anyone who is interested in pop culture expos like AVCon and Supanova to go check out the Comic and Toy Fair next time it is held.
If you are interested in pop culture and toy collecting, the Mega Toy Fair will be on at Adelaide Showgrounds (June 2nd-3rd). For more information, click the link here.
WARNING: Super Famicom games will not work on your Australian Super Nintendo (SNES). This is due to region lock. To play a Japanese game, you will need either a Super Famicom, or a third-party region-free system. Another word of warning: Super Famicoms run on the Japanese 110V power setting, well below the Australian 230V standard. To prevent possible motherboard frying or a fire, you must buy a step-down convertor.