Right Here, Right Now

Incredibly talented and immensely creative, Josh Belperio is someone I’m privilaged to have seen perform. Despite this show being raw and a little unpolished that only serves to highlight his creativity and ability to improvise on stage.

Having attended Belperio’s show 30,000 Notes last year, I was keen to find out more about this introspective individual. Having produced such an emotive show, I was keen to see one of his more comical shows with Scarred for Life. Instead, shortly before the launch of Fringe, I discovered that Belperio was taking a different route again, turning away from his previous two introspective shows to produce something a little more off-beat. Something to showcase his anger at everything that has occurred across our recent and quite devastating summer. This made me even more intrigued to know what Belperio has been up to and just what kind of show he would produce.

Going to Holden Street Theatres in the evening just after the sun has set is quite a special experience, one I aim to have at least once throughout the Fringe season. With a number of shows on simultaneously, there’s always a vibe of quite anticipation waiting.

We were led into a room much smaller than I’d expected where we found Belperio waiting beside a keyboard with the calm enthusiasm of an experienced performer. Since the previous year where he was presenting his notes and those left behind by his beloved Nonna, Belperio’s character had undergone a transformation. The clean-cut man of yesteryear replaced by someone clear in his rebellion.

Belperio started the show discussing the recent bush-fire crisis in song, moving on to his criticism of PM Scott Morrison (which is available to watch online here), and discussing the link between the bush-fire crisis and how LGBTQIA+ rights have been challenged by the religious discrimination bill.

The show itself was engrossing, breath-taking, even awe-inspiring. Belperio had homed in on his anger in the last few months, distilling it into something resembling cabaret but also a little more. Raw and, in places, improvised, this performance was both authentic and compelling .

While certainly presenting a relevant show, Belperio opens the discussion with his audience about the current political climate and the issues with media scapegoating the LGBTQIA+ community as a way to avoid climate action. It should be a time for us to come together to work on a solution; however, Morrison seems set on creating further division at a time when time is running out.

Drawing in new information to the discussion daily, Belperio’s improvisation for this show is impressive. Part cabaret, part honest discussion, this is a show you need to see to fully grasp. I would highly recommend seeing Belperio perform. He is such a talented person and I look forward to watching his career progress.

5 / 5 stars


 

Words by Kayla Gaskell

Right Here, Right Now is playing at Holden Street Theatres until February 28

For more information and to purchase tickets, click here

Scarred for Life

As we went into the wonderful venue that is the Lab at Queen’s Theatre, hospital-style hair nets were handed out. This method of blurring the lines between performance and real life pays off in spades due to the strength of the show itself.

Being capable of eliciting anxiety, joy, and a whole gamut of emotions is a remarkable skill and one that Josh Belperio masters to great effect in Scarred for Life. A tour de force of musical talent, the performance balances both the intrinsic skill Belperio exhibits but also plays to his strengths to charm the audience. Quite a charismatic performer, Belperio is aided by excellent production to tell a story that weaves between emotional weight and lighter humorous turns. The shifting of tone could easily have been mismanaged but no emotional turn feels abrupt.

The production is perfectly geared to maximise the strength of Belperio’s story. Watching this performance is a powerful experience and is ultimately an uplifting one that will surely see the audience leave on an emotional high.

Charting trauma, anxiety, and recovery, it’s impossible to avoid the seriousness of the situations but Scarred for Life is able to measure the humour to perfection. The blend that results from this artistic measuring of themes is a special one. The story is a worthy one, the themes universal (even if not the actual experiences, hopefully) and the production pitched to perfection bring out the pre-existing strengths of the show. Undeniably, this is an engaging and charming performance mounted to perfectly play on the substantial strengths of Josh Belperio as a performer and Scarred for Life as a performance.

Seeing Scarred for Life in the same day as Mental as Everything only added to the experience as both shows complimented each other with their shared themes and ethos. I’m sorry to say that both shows are now ended but hopefully they will not keep us waiting and the wonderful and unique performance staged at the Lab at Queen’s Theatre will return before long and not starve the audiences of such great marvels.

 


Words by Liam McNally

4½ stars.