Right Here, Right Now

Incredibly talented and immensely creative, Josh Belperio is someone I’m privilaged to have seen perform. Despite this show being raw and a little unpolished that only serves to highlight his creativity and ability to improvise on stage.

Having attended Belperio’s show 30,000 Notes last year, I was keen to find out more about this introspective individual. Having produced such an emotive show, I was keen to see one of his more comical shows with Scarred for Life. Instead, shortly before the launch of Fringe, I discovered that Belperio was taking a different route again, turning away from his previous two introspective shows to produce something a little more off-beat. Something to showcase his anger at everything that has occurred across our recent and quite devastating summer. This made me even more intrigued to know what Belperio has been up to and just what kind of show he would produce.

Going to Holden Street Theatres in the evening just after the sun has set is quite a special experience, one I aim to have at least once throughout the Fringe season. With a number of shows on simultaneously, there’s always a vibe of quite anticipation waiting.

We were led into a room much smaller than I’d expected where we found Belperio waiting beside a keyboard with the calm enthusiasm of an experienced performer. Since the previous year where he was presenting his notes and those left behind by his beloved Nonna, Belperio’s character had undergone a transformation. The clean-cut man of yesteryear replaced by someone clear in his rebellion.

Belperio started the show discussing the recent bush-fire crisis in song, moving on to his criticism of PM Scott Morrison (which is available to watch online here), and discussing the link between the bush-fire crisis and how LGBTQIA+ rights have been challenged by the religious discrimination bill.

The show itself was engrossing, breath-taking, even awe-inspiring. Belperio had homed in on his anger in the last few months, distilling it into something resembling cabaret but also a little more. Raw and, in places, improvised, this performance was both authentic and compelling .

While certainly presenting a relevant show, Belperio opens the discussion with his audience about the current political climate and the issues with media scapegoating the LGBTQIA+ community as a way to avoid climate action. It should be a time for us to come together to work on a solution; however, Morrison seems set on creating further division at a time when time is running out.

Drawing in new information to the discussion daily, Belperio’s improvisation for this show is impressive. Part cabaret, part honest discussion, this is a show you need to see to fully grasp. I would highly recommend seeing Belperio perform. He is such a talented person and I look forward to watching his career progress.

5 / 5 stars


 

Words by Kayla Gaskell

Right Here, Right Now is playing at Holden Street Theatres until February 28

For more information and to purchase tickets, click here

Interview: Tom Walker / Jonathan Pie

“No, no, no, absolutely not.” Tom Walker’s just broken my heart. I’ve put to him that he could consider taking his character Jonathan Pie to Westminster, or maybe even Number 10. Personally, I think he’d be better suited to Canberra, where he could potentially form a heavyweight tag-team of Australian politics with Penny Wong. “No, I’ve got this tour, and that wraps up in a few months, and then the diary is free.” Right in time for the 2020 US Elections, I tell him. “Oh god yeah, you’re right.”

Thing is though, he’s a bit sick of the constant supply of box office gold that keeps getting served up. “I’d really like it to level off a bit now. I’ve had my fun. When I started out the world wasn’t so strange and now we’ve got Trump and Brexit, and it’s time to swing back towards a bit of normality, you’d hope. Trump sort of set the standard where he can now seemingly get away with anything and everyone looks at him and tries to emulate him. It’s worked, our politics is now full of lies, it’s madness, isn’t it? And it’s really difficult to satirise Trump, he does it for you! All you have to do is read out his tweets, he can’t even spell!” Walker sounds resigned when he glumly predicts another term for Trump, but at least the source material will still be top shelf.

One thing that he’s loving is ‘Scotty from Marketing’. “It’s such a great insult. It’s so to the point, isn’t it? It’s great.” Allegedly Morrison utterly detests this nickname. “Good! I’m glad.” The topic of politicians giving themselves nicknames irks him, though. “It’s mad, isn’t it, we’ve got BoJo, but we’ve always just called him Boris, instead of Mr. Johnson, and it makes him seem friendly, and nice, when he’s far from it. I mean, Boris is a prick, isn’t he? He’s this bumbling bloody affable idiot, when he’s anything but. He’s a dangerous right-wing populist.”

Walker as Pie doesn’t mince words, he’s quite happy to make sure everyone knows about the elephant failing to wear a lampshade in the corner – regardless of whether the elephant is left or right, liberal or conservative – and so the degree of separation between him and Pie is welcome. “It’s quite nice to have that. The majority of people come up to me and say, ‘Hey Jonathan!’ it’s absolutely fine, I quite like it. I find it a bit weird when people go ‘Hey Tom’, like, how do you know my name?” plus it gives him a bit of freedom, he’s always got that ‘it’s not me, it’s Jonathan – he’s a character’ get-out-of-jail-free card, but you can tell that he knows his words carry some weight; 600,000 subscribers on YouTube, over 67 million views, a few live tours, but everything has a shelf life. He admits he’s yet to make that solid jump to mainstream though, and so Pie might be taking a sabbatical. In a field where making it to prime-time is pretty rare, a self-described underdog punching above his weight deserves a title fight.

 


Words by Mikey Della Porta

Jonathan Pie: The Fake News Tour, February 24th at the Royalty Theatre, Angas Street

For more information and to book tickets, click here