New Wave Audio Theatre Season Two

New Wave Audio Theatre is a fairly new podcast developed by Connor Reidy (Director), Anita Sanders (Project Manager), Leah McKeown (Sound Engineer), and Aden Beaver (Graphic Designer). Having just concluded its second season, New Wave has three half hour sessions each made up of three separate audio-theatre pieces written by local authors.

Season Two: Episode One, Places, consistes of three short audio-theatre pieces by Jamie Hornsby, Simon-Peter Telford, and Taeghan Buggy. Each deal with the anxieties of three very different situations as well as addressing important issues such as murder, suicide, and drug use.

It is important to note that the issues that these pieces deal with can be hard hitting with the team providing contact details for support services such as Beyond Blue: 1300 22 46 36 and Lifeline: 13 11 14.

 
Marree

Written by Jamie Hornsby

Performed by Hannah Helbig

Marree is a deceptive story about a young woman looking for a lift to Adelaide. Hitch-hiking, she is hesitant to get in with a strange man, but with seemingly no choice she acquiesces. Hornsby’s writing paired with Helbig’s acting perfectly captures the anxiety of being in cars with strange men—particularly when you know about Wolf Creek. Too busy sympathising with the main character, the beautiful twist caught me by surprise.

Extremely intelligent and motivated, Hornbury’s character is the kind of resourceful person we all aspire to be.

 

Hush

Written by Simon-Peter Telford

Performed by John Khammash

A man is driving down the highway with his baby on the way to a fresh start. He blames himself for his wife’s death and worries that his words and actions will harm their child as he grows up. They stop in at a pub for a meal and the man considers his options. How can he ensure that he will do what’s right for the baby? What is right for the baby? The man knows that the boy deserves to have a whole, loving family. But what can he do now that the mother is dead?

This is a very full-on story to listen to as the man ruminates on his decisions, allowing his anxiety to take over.

 

Last Ride

Written by Taeghan Buggy

Performed by Max Kowalick

Last Ride follows a man seeking revenge on the man who got him into drugs when he was fifteen years old. He has a devastating plan because while “[he] is an idiot, [he] is not dumb”. As the piece goes on you learn the lengths he has gone to not just to entrap his boss but ensure that whether the boss dies or not, he is caught by the authorities. The narrator feels as if he is trapped and as if his involvement with the drug dealer has ruined his life to the point where at the age of twenty he has no other option but to seek revenge.

 

 

You can listen to New Wave Audio Theatre Season One and Two on their website: https://newwaveaudiotheatre.com/.

 

Alternately both seasons are available for download from iTunes, Soundcloud, or Whoshkaa.

 


Words by Kayla Gaskell.

Feature image from https://newwaveaudiotheatre.com/.

Taeghan Buggy: Writer/Editor

meet the team.-18

 

tiggyHow did you get involved with Tulpa Magazine?

My involvement really started with knowing Lisandra and Liam (Tulpa’s founders) through the Flinders’ Speakeasy Creative Readings club. When Lisandra mentioned that she and Liam were looking to start an arts magazine and wanted people, I jumped on board as a writer and editor. It was a case of right time, right place, right people.

 

What do you do?

I’m a writer and an editor for the magazine, though I’m more of a writer than an editor if I’m honest. I’ve contributed some things for #fictionfriday and Tulpa’s opinion articles. With the advent of Adelaide’s Fringe Festival, I’m also reviewing some fringe shows for Tulpa that I’m really looking forward to.

 

What’s your life like outside of Tulpa Magazine?

I’m facing my creative writing honours this year so I’m expecting a lot of reading, writing, and researching (yay). But I’m also a poet and a performer in addition to my writing, so I read at a few poetry slams and open mic nights around Adelaide city. I’m also a writer for the New Wave Audio Theatre podcast, which is an awesome collaborative project that’s gearing up for a second season.

 

What has been the most rewarding part of working for Tulpa Magazine?

I’d have to say that it was amazing to be able to see the beginnings of an arts magazine that’s so focused and supportive of emerging writers. Being involved in something that puts out creative works and articles that might not otherwise be published is truly gratifying. The fact that the magazine is a real collaborative effort only adds to this. I’m very excited to see how Tulpa grows, and that I can be a part of the process? Well, that’s exceptionally cool.

 

What do you see yourself doing in the future? Where are you headed after Tulpa?

In the near future? Graduating uni. After that? Hopefully, travel and writing, maybe even travel-writing. Backpacking Mongolia on the back of a yak (or at least the back of something) is my 2019 goal at the moment. And after-after that? Who really knows. I want to get involved in more script and screen writing, as one of my other loves is theatre and acting. But if I’m honest, life takes so many different directions and I have so many different interests that I’m willing to see what strange places it leads. I’m #keen.


You can find Taeghan on Twitter.

New Wave Audio Theatre: https://www.facebook.com/newwaveaudiotheatre/