there’s an infinity problem.
spherical in it’s physical essence yet it is everyone that has a
bitter longing for superficial happiness, tears glisten like glitter
love me, paint me on a golden pedestal worship me as you fall
in endless pits of misery. continuous misery of human inadequacy but
devote your soul to me and take the distorted reflection into your hands
see the reflection of society burning a hole in your mind. eyes dance around you
from your very own hands and you take the knife of plastic, and mimic the
images of a damaged world. paint over me and create your own masterpiece
of an eternal loneliness of perfect imperfection of loss, of failings, of being flawed.
whisper the hated words as you love me, hate me, try to be me.
spin around down the hole of despair of never being satisfied, always wanting more
never being enough – continuous misery.
plaster me on your walls.
stare up and worship me.
Words by Danielle Kate
Danielle Kate is a caffeine-dependent life form who occasionally writes and does art. You can catch more of her @daniellekstafford on Instagram.
Photo by Sid Verma on Unsplash
The Art of Taxidermy
Text Publishing 2018
Sharon Kernot’s Young Adult verse novel The Art of Taxidermy offers an intimate look at the mechanisms of grief and how it can make you strange. Charlotte is just thirteen, has lost her mother and her younger sister, and is obsessed with making the dead look alive again. Her obsession leads her to collect, and then later taxidermize dead animals she finds in the bush surrounding her Australian home. Her aunt is horrified by this behaviour, but her distant father defends it as the burgeoning habits of a young scientific mind. Kernot makes the collection of the dead feel like a natural extension of Charlotte’s grief and pain; much like the meddling of Charlotte’s aunt and the distance of her father is an extension of theirs. The desire to resurrect the dead with whatever means available is both naively young and incredibly human, and Kernot explores it with a matter-of-fact tenderness.
It is not only their grief that makes Charlotte and her family strange. They are German immigrants and her father and grandfather were interned in the Loveday camp, near Barmera on the Murray River. The verse novel is set in the years after the second World War ended and the family’s German heritage marks them as different, as Other. It’s hard to imagine this family living outside this deep saturation of sadness – their tragedies started before Charlotte was born and it feels as though they will continue long after she’s dead.
Kernot paints a family in freefall after the unthinkable has happened, not once but twice, with a sure and steady brush. The work couples the swift, clipped charm of a verse novel and the unpredictable beauty of the Australian landscape in a captivating manner that showcases an author entirely comfortable with her form. This is a novel easily consumed in an afternoon, but one that lingers in the mind for weeks afterwards.
The Art of Taxidermy is due for release July 2 and can be purchased from Text Publishing here.
The book will be launched July 18 at the Tea Tree Gully Library from 6:30pm click here for more information.
Words by Riana Kinlough